Based on Ibsen, Simon Stone wrote and directed a grand family saga about the troublesome but inevitable coexistence of different generations under one roof. Maarten Heijmans received the Arlecchino (best male performance in a supporting role) for his portrayal of Sebastiaan.

It is election night. Oedipus is on the verge of a massive victory. The country has not known a leader for many years since Laius' death. The ambitions are great. Oedipus wants to create a future, create a new way of life. He also insists, if elected, that the investigation into the death of his predecessor is reopened. In the meanwhile, in the half-empty campaign headquarters, Oedipus is surprised by his family - mother, wife and children - with a dinner. An old incident is thereby brought up. Gradually, Oedipus discovers that his past is very different from what he has always thought. During his research, the pieces of the puzzle fall together. Oedipus tries to control his fate, but discovers that he has been seeing blind all along.

In Kings of War, director Ivo van Hove focuses on political leadership. The original texts were retranslated by Rob Klinkenberg and then thoroughly adapted: the Hundred Years' War between England and France, and the Rose Wars between the houses of Lancaster and York for the English throne, which are emphatically present as a historical context in the original pieces, were referred to the background in the adaptation in order to accommodate a varied portrait of successive kings. As leaders in times of political instability and war, they show remarkable affinities with world leaders today.

"Live House" is a Japanese phrase for a truly Japanese phenomenon-cramped, smoky, nondescript concrete boxes hidden away in basements, where music makers and music lovers congregate, away from usual society norms. With over 1,000 venues throughout the country, live houses are the birthplace of a Japanese subculture that is set to take its place on the global stage. Although bands on the live house circuit operate below the radar of celebrity-obsessed mainstream culture, through time-test D.I.Y. methods and the Internet, they build fan bases both at home and abroad, and cross borders in a way that glossy pop stars could never dream of. Coming from the opposite direction, Mike Watt, one of the founding fathers of punk, takes breaks from worldwide stadium tours to soak in the Japanese live house atmosphere. -

暂无剧情简介

暂无剧情简介

The third volume of the Date A Live: Encore short story collection will bundle an unaired episode in a limited edition. The story is set on July 7th. "In the midst of the Tanabata festival celebrations, Shidou meets Kurumi, the worst Spirit. And the couple's destination is ...a wedding ceremony hall?!"

Noa Holander has it all. She's one of the richest women in Israel. Her father is one of the one hundred richest men in the world. He owns a chain of international hotels, a private jet and anything you could possibly dream of. She lives in a mansion, she's beautiful, and she models and an acts just for the fun of it. Men want to be with her - women hate her (they're jealous, obviously). Over the past two years she's been having a highly publicized affair with Pete Evans, one of Hollywood's biggest stars. He's handsome, he's successful, he's rich - it's all perfect. And then they break up. According to the tabloids, he cheated on her. Amos Dahari is a 28-year-old guy still living with his parents in their tiny, cramped apartment in the city of Bat Yam. He works with them as well, in the family business - the bakery. He spends most of his days in front of the oven, baking pita bread, making minimum wage. When he's not working he's busy getting an earful from Vanessa - his girlfriend of ...

Set in Rangsot, this film unravels how memory, play, and storytelling endure through voice, gesture, and communal presence. Songs once sung to lull children, tales whispered by parents, and games played with sticks, stones, or dragonflies re-emerge as elders recount them—sometimes laughing, sometimes grieving. The film reflects on how the apparatus mediates these transmissions. Between oral history and the camera’s framing, it explores how memory is shaped, reenacted, and perhaps even transformed through the production and consumption of technical images.

Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: "The Ant and the Grasshopper", directed by Pat Jackson and adapted by T. E. B. Clarke; "Winter Cruise", helmed by Anthony Pelissier, screenplay by Arthur Macrae; "Gigolo and Gigolette", directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.